South African singer and songwriter Makhanj is gaining recognition for her unique style that blends emotive lyrics with Amapiano rhythms. Her recent involvement in Mix It Up Vol. 4, a collaborative effort spearheaded by Uncle Waffles and supported by Nando’s UK and Bridges for Music, reflects her dynamic artistry. In a conversation with us, Makhanj discusses her creative journey, her passion for teamwork, and her aspirations for the future of African music.
1. How did you become involved in Mix It Up Vol. 4, and what was your initial reaction when you found out you’d be working with Uncle Waffles and other international artists?
I was contacted by the teams at Nando’s UK and Bridges for Music SA. I felt thrilled to be part of this, especially since I contributed to Volume 2, so it was a joy to return.
2. You’re featured on two of the three tracks — “Jozi” and “Bad One.” What was the creative process like for each, and how did you approach bringing your unique South African sound to both songs?
The process unfolded naturally. Producers played the beats while we engaged energetically in the studio. Chy contributed her verse, and I added the chorus to enhance her work.
For “Bad One,” we were just enjoying ourselves in the studio, listening to Ghetts freestyle, experimenting with different approaches to elevate the track. Each session had its distinct energy, yet both were filled with excitement. I focused on recording what felt authentic to me, even if it deviated from my usual style. I appreciated the opportunity to explore new sounds.
3. As the only artist featured twice on the EP, what message or energy did you want to convey through your contributions?
I wanted to emphasize the importance of individuality! It’s not about being the same, but rather about breaking free from norms and enjoying the creative process.
4. “Jozi” beautifully captures the energy of Johannesburg. How did that environment influence your writing and performance on the track?
The city’s hustle, the determination to succeed, and the need to persevere amidst challenges all influenced the song. Essentially, Chy asserts her commitment to remain here, and my chorus reinforces that message. It reflects a positive attitude essential for a place like Jozi Maboneng.
5. Working with artists like Chy Cartier from the UK and Ghetts, a rap legend, must have been a creative exchange. What did you learn from collaborating across cultures and genres?
Collaboration shouldn’t be overly complicated; it should come naturally. Despite our differences, we share many similarities. Mix It Up shows us this in action. Music is a universal language that, while may seem challenging, is ultimately rewarding. Being yourself facilitates powerful and authentic connections.
6. How do you feel about the way Mix It Up Vol. 4 blends Amapiano with global influences like hip-hop, pop, and Caribbean sounds?
I truly appreciate how it emphasizes collaboration. Each person plays a vital role, and witnessing that is uplifting. Music transcends language barriers; even if we don’t fully grasp the words, we can always appreciate the emotion, rhythm, and energy.
7. Uncle Waffles served as executive producer on the project — what was it like working under her vision and leadership?
It was fascinating to see her in action during studio sessions. She is undeniably a strong presence!
8. Bridges for Music is known for building cultural bridges through art. How do you see this kind of initiative shaping the future of African music globally?
I admire what Bridges for Music represents, and I’m grateful to be part of their journey. Collaboration has shown us how much more we can achieve together.
For centuries, division has hindered us, contributing to the fragmentation we observe on our continent. It is critical to recognize the significance of unity.
9. How did Nando’s creative support—from studio sponsorships to international logistics—impact your ability to be part of this project?
First, thank you for the food! Secondly, the vibes were top-notch; their team is incredibly fun to work with.
10. Beyond Mix It Up Vol. 4, you recently dropped “Kukuwe (Radio Edit)” with Stixx and Deeper Phil. How does this single reflect your growth and direction as a solo artist?
This single represents a shift in my musical direction—it showcases my potential for growth and development. Collaborating with Stixx and Deeper Phil was a delightful experience, reminding me of the importance of working with new artists as well as my regular collaborators.
11. How would you describe your sound to someone hearing Makhanj for the first time, and what makes it distinct in the Amapiano landscape?
I compare my music to my favorite color—yellow. It can be warm, soothing, and hopeful, yet also intense. This unique combination reflects my essence as an artist. My personal story, faith, and connection to music distinctly define my sound.
12. You’ve worked with both established producers and emerging talents—how do you balance collaboration with maintaining your authentic voice?
I always keep in mind what makes me special. While I welcome growth and new experiences, I remain grounded in my purpose. Each collaboration presents learning opportunities. Artists invite me to sessions because they appreciate my contributions, and that’s something I must remember.
13. What does it mean to you to represent South Africa on a global stage alongside artists from Nigeria and the UK?
It’s a remarkable honor. I take pride in being South African and African. Our uniqueness is evident, and it’s wonderful to have our contributions acknowledged on a world platform.
14. Where do you see Amapiano heading in the next few years, especially with so many international artists now embracing the genre?
The future of Amapiano is still unfolding—we need to actively participate to shape its direction!
15. Looking ahead, what can fans expect from Makhanj—more collaborations, a full project, or perhaps another global crossover moment?
All of that and more! I’m feeling energized and eager to showcase various aspects beyond just music. I plan to delve into my role as a show producer and songwriter. Yet, first and foremost, it’s all about music—an album is definitely in the works.
Makhanj’s journey exemplifies that genuine artistry resonates globally—from the vibrant streets of Johannesburg to studios around the world. Through her distinctive voice and uncompromising authenticity, she is not only participating in the Amapiano movement but actively shaping its future.
