Nota Says “Trap Temptations” Feels More Like Another Sjava Album. South African music commentator Nota has ignited a fresh conversation with his candid opinion regarding Trap Temptations, a collaborative effort involving Ruff, Sjava, Emtee, and Saudi. Instead of offering praise for the eagerly awaited project, he issued pointed criticism that has stirred activity on social media.
Nota Says “Trap Temptations” Feels More Like Another Sjava AlbumReflecting on the album, Nota likened its sound to tear gas, rather than trap music. “They sound like teargas, I won’t lie. It’s like as if teargas did a trap album. Instead of the Trap Temptations, it should have been the Trap Teargas,” he stated.
His remarks rapidly drew the attention of hip-hop enthusiasts, leading to discussions about whether his critique was valid or just another bold statement from Nota.
Nota claimed the album lacks distinctiveness and does not effectively highlight the individual talents of its contributors. He suggested that the project leans heavily on Sjava’s established vibe, with Emtee and Saudi failing to introduce elements that would differentiate this release from earlier works.
“You don’t hear Emtee adding something new,” Nota stated. “What’s the difference between that album and Logan? Sjava’s on it. It’s the same sound, Ruff, same producer, but other guys.”
The reference to Logan indicates that Nota feels Trap Temptations heavily relies on an established formula instead of venturing into new creative avenues. He believes the project’s atmospheric production and melodic style do not significantly differ from prior works, contributing to a sense that this is more of a continuation than a new collaborative effort.
This criticism followed a considerable build-up before the album’s release. With Ruff’s production, Sjava’s emotive storytelling, Emtee’s recognizably street-inspired style, and Saudi’s fluid versatility, many listeners anticipated a project that would feature four unique perspectives while expanding the scope of South African trap.
In contrast, Nota argues that the album plays it safe, offering a polished yet expected auditory experience. His term “Trap Teargas” vividly characterizes a project that, in his view, overwhelms more than it delights.
Following his review, responses from fans have been mixed. Some listeners have commended the synergy between the artists and noted the album’s appeal for repeated listening, while others concur that it relies too much on familiar sounds without sufficient surprises.
