Your journey with Ezra Collective has been about breaking boundaries in jazz. Do you see Africa and specifically South Africa as part of the next chapter in that evolution?
Definitely, definitely. However, it’s not solely about the music. It’s primarily about access. As the leader of Ezra Collective, I need to figure out ways to spend more time in Africa. How can I arrange tours in Africa? One shouldn’t expect an American-style tour in Africa; it is a fundamentally different landscape. Similarly, a European-style tour wouldn’t be applicable. Therefore, it’s essential to grasp the local infrastructures. I’m dedicating time to learn from locals, seeking advice on how to navigate this. For instance, during my time at the Montreux Jazz Festival on Saturday, my focus will be on inquiries about future visits, such as where to perform. I want to play in Durban and Joburg. I need to explore how to make that feasible. I believe that what will truly push boundaries for us is spending more time collaborating with local artists and promoters to create something unique.
Outside of the stage, what are you most looking forward to experiencing here in Mzanzi? The culture, the people, the food?
Can I share my plan with you? Upon arrival, I’m planning to check into my hotel. If possible, I want to run a half-marathon. Running will allow me to familiarize myself with the city. After that, I’ll ask around for the best lunch options.
I’d love to try what you call braai. Is that right? That’s what I want for dinner. I also want to sample Nando’s to see if it tastes different with the local sauce. You know what I mean? Since I’m only there for 24 hours, I aim to enjoy a good meal, see some sights, visit a record store, and connect with musicians. I might even stay up all night if there’s a party to attend.
