Blxckie Responds To DJ Speedsta’s Remarks That He Didn’t Do Shvt In 2025. The South African hip-hop industry is currently buzzing after DJ Speedsta, a prominent figure in the music scene, made pointed comments about Blxckie, one of the genre’s notable emerging talents, during a recent episode of his podcast, Up to Speed.
Blxckie Responds To DJ Speedsta’s Remarks That He Didn’t Do Shvt In 2025The discussion emerged as Speedsta and his co-hosts analyzed OkaySwisher’s much-anticipated 2025 Wrapped list, which ranks the top MCs in South African hip-hop at the end of the year. Notably, Blxckie was missing from the acclaimed upper tiers, leading Speedsta to state: “Respectfully, Blxckie didn’t do shvt in 2025.”
Released late last year, OkaySwisher’s list ignited considerable discussion within the community, as fans and analysts offered opinions on who made the most significant impact. Blxckie, known for his melodic trap style, numerous collaborations, and mentoring of emerging artists, was notably absent from the prestigious positions. This absence contributed to Speedsta’s remarks, fitting into a broader discourse about the year’s exceptional talents.
The response to Speedsta’s comments surged on social media, with some supporters defending Blxckie’s impactful but lower-profile year in 2025, including significant contributions to tracks like Kwesta’s “Ghost,” Naledi Aphiwe’s “Waiting For You,” and potential collaborations with Cassper Nyovest, along with appearances at major festivals. Conversely, others aligned with Speedsta, noting that the 25-year-old had not produced a major solo release that would echo the success of previous years.
Blxckie, whose real name is Sihle Sithole, quickly responded on X, adopting a light-hearted yet sharp tone: “eish I think bro mad I didn’t come freestyle for him. ngyaxolisa khehla lami. kodwa-ke angsezi.” (Roughly: “Eish, I think bro is mad I didn’t come freestyle for him. Sorry my guy. But I’m not coming anymore.”)
Some interpret Blxckie’s reply as a tactful avoidance of tension, while others contend that Speedsta’s use of “respectfully” did not mitigate the harshness of his statement, which many view as unwarranted criticism.
Up to Speed is establishing itself as a key source for candid discussions on hip-hop, with this episode exemplifying its potential—Speedsta’s unfiltered approach keeps the conversation lively. Currently, the situation has not escalated, but in the realm of SA hip-hop, even a single viral moment can evolve into lyrical exchanges, collaborations, or serious feuds.
