Nasty C’s “EAZY” Hits Milestone With 10 Million YouTube Views. The black-and-white music video for “EAZY” by Nasty C has surpassed 10 million views on YouTube, as reported by Rap-Kulture, marking yet another significant milestone in the rapper’s career.
The single was released on June 12, 2020, coinciding with the debut of his successful album Zulu Man With Some Power. This track marked a crucial point in Nasty C’s career, following his signing with Def Jam Recordings. He presented a raw, powerful trap anthem that highlighted his lyrical skills and self-assuredness. The minimalist production featured his signature sharp delivery, reinforcing his fundamental strengths.
The popularity of the video is further underscored by its distinct visual style. Filmed entirely in black and white, it contrasts sharply with the colorful, high-production visuals that dominate contemporary music video trends. Many fans and critics are considering it a groundbreaking feat, speculating it might be the first South African rap video in black and white to achieve 10 million views in less than six years.
As of Thursday, the official video on Nasty C’s YouTube channel has surpassed the 10 million views mark, placing it among his top solo releases, alongside tracks like “SMA,” “King,” and “Jack.”
This achievement comes amid discussions regarding Nasty C’s lasting impact. Even as he continues to release new music and collaborate with others, older tracks like “EAZY” maintain their relevance. Fans from South Africa and other regions have taken to social media to celebrate, emphasizing that most of his music videos earn over a million views. This trend reflects his reliability and strong supporter base.
More than just a typical music video, “EAZY” encapsulates a significant phase in his career. The video portrays an ambitious artist stepping into global recognition, intent on demonstrating his abilities. The simple approach ensures that his presence and lyrics remain at the forefront, transforming a straightforward idea into something enduring.
